Khaikosru Sorabji (1892-1988) is one of the most enigmatic and controversial 20-th century composers. Largely self-taught he chose his own way, never fitting into any school or movement, his style is highly idiosyncratic, inspired by late-romantics like Busoni and Szymanowski. Characteristic for his piano music are the enormous proportions and textural density of his works, some of them lasting several hours in performance, taxing the performer and audience to the utmost.

Toccata seconda consists of nine movements representing Sorabji's favourite genres: forms of Baroque inspiration (chorale prelude, passacaglia, fugue), free fantasies and fast sections in perpetual motion style, and his idiosyncratic slow movements ("tropical" nocturne and polyphonic aria). It is therefore an admirable synthesis of Sorabji's style, distilled into a relatively compact format.

Spanish pianist Abel Sánchez-Aguilera is one of Spain’s foremost interpreters of 20th century music. He has prepared critical editions of several of Sorabji's unpublished manuscripts (Piano Symphonies nos. 0, 1 and 3).