With his exploration of Léo Ferré's* repertoire, Tony Hymas, on the fringe of the groups, encounters and plural instrumental combinations that he loves, has affirmed his deep and intimate relationship with his primary instrument: the piano. Starting in 2013, he has also, on various occasions, told a sort of personal story of music with this instrument, focusing on certain stages that constitute as many frank correlations, exhilarating cousinage, and solidarity connections.