The imaginative musician that is harpsichordist Ignacio Prego directs a new selection of the concerti grossi by Charles Avison drawing inspiration from keyboard sonatas by Domenico Scarlatti. The Madrid-born Prego is alive to the variety of musical ideas embedded in these concertos – four of the concertos “after Scarlatti” that Avison had published in 1744: each concerto, with the ensemble divided into concertino and ripieno groups, is a sequence of movements, the appealing, lively, melodious and playful contrasting with the slow, light, restful and contemplative.