After Schubert and Brahms, Jacques Ibert is at the centre of the third production Peter Gülke has recorded with his Brandenburg Symphony Orchestra for MDG. It has become much more than a "stopover": Gülke presents the special, very individual qualities of this music between impressionism and neo-classicism, between romanticism and modernism, between virtuosity and sound painting on this Super Audio CD with apparent matter-of-factness that testifies to deep knowledge and great respect.

In our country, Ibert's music is grossly underestimated. At most, the flute concerto is on the programme now and then, and Gülke's expert compilation does not pass it by. Flutist Helen Dabringhaus, whom the composer hardly ever allowed time to breathe, audibly enjoys the demanding solo part, and in the polytonal layers of the second movement, the young virtuoso knows how to rub herself wonderfully against the accompanying strings.