“Anything that does not rise to consciousness comes back as fate,” writes Carl Jung. This rings true for Ignacio Maria Gomez, whose cosmogony finds its source in Belesia, an earthly paradise where humans and nature come together under the benevolent gaze of the divine Great Mother.

Ignacio assembles the sounds collected during his travels: silence, night, marimba and balafon, guitar, polyrhythmic trances, curves bossa nova or samba syncopations.